]
[Footnote 98: crowd.]
[Footnote 99: went then.]
[Footnote 100: reward.]
[Footnote 101: striped stuff.]
[Footnote 102: exchange.]
[Footnote 103: notice.]
[Footnote 104: on the bough.]
[Footnote 105: offer.]
[Footnote 106: approach.]
[Footnote 107: call.]
[Footnote 108: set.]
[Footnote 109: born.]
WILLIAM DUNBAR.
(1460-1520?)
V. THE DANCE OF THE SEVEN DEADLY SINS.
One of Dunbar's most telling satires, as well as one of the most
powerful in the language.
I.
Of Februar the fiftene nicht
Full lang before the dayis licht
I lay intill a trance
And then I saw baith Heaven and Hell
Me thocht, amang the fiendis fell
Mahoun gart cry ane dance
Of shrews that were never shriven,[110]
Agains the feast of Fastern's even,[111]
To mak their observance.
He bad gallants gae graith a gyis,[112]
And cast up gamountis[113] in the skies,
As varlets do in France.
II.
Helie harlots on hawtane wise,[114]
Come in with mony sundry guise,
But yet leuch never Mahoun,
While priests come in with bare shaven necks;
Then all the fiends leuch, and made gecks,
Black-Belly and Bawsy Brown.[115]
III.
Let see, quoth he, now wha begins:
With that the foul Seven Deadly Sins
Begoud to leap at anis.
And first of all in Dance was Pride,
With hair wyld back, and bonnet on side,
Like to make vaistie wanis;[116]
And round about him, as a wheel,
Hang all in rumples to the heel
His kethat for the nanis:[117]
Mony proud trumpour[118] with him trippit;
Through scalding fire, aye as they skippit
They girned with hideous granis.
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