Dryden and the Earl of
Mulgrave_, yet in the _State Poems_, vol. i. p. 179., originally printed in
the lifetime of Dryden, it is attributed solely to him--"_An Essay upon
Satyr._ By J. Dryden, Esq." This gets rid of the assertion in the note of
"D.," in the Aldine edition of Dryden (i. 105.), that "the Earl of
Mulgrave's name has been _always_ joined with Dryden's, as concerned in the
composition." Was it not first published without notice that any other
person was concerned in it but Dryden?
The internal evidence, too, is strong that Dryden was the author of it. I
do not here refer to the {423} free, flexible, and idiomatic character of
the versification, so exactly like that of Dryden; but principally to the
description the _Essay upon Satire_ contains of the Earl of Mulgrave
himself, beginning,
"Mulgrave had much ado to scape the snare,
Though learn'd in those ill arts that cheat the fair;
For, after all, his vulgar marriage mocks,
With beauty dazzled Numps was in the stocks;"
And ending:
"Him no soft thoughts, no gratitude could move;
To gold he fled, from beauty and from love," &c.
Could Mulgrave have so written of himself; or could he have allowed Dryden
to interpolate the character. Earlier in the poem we meet with a
description of Shaftesbury, which cannot fail to call to mind Dryden's
character of him in _Absalom and Achitophel_; which, as we know, did not
make its appearance, even in its first shape, until two years after Dryden
was cudgelled in Rose Street as _the author_ of the _Essay upon Satire_.
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