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Poe, Edgar Allen

"The Fall Of The House Of Usher"

Dark draperies hung upon the walls. The
general furniture was profuse, comfortless, antique, and tattered.
Many books and musical instruments lay scattered about, but failed
to give any vitality to the scene. I felt that I breathed an
atmosphere of sorrow. An air of stern, deep, and irredeemable gloom
hung over and pervaded all.
Upon my entrance, Usher arose from a sofa on which he had been lying
at full length, and greeted me with a vivacious warmth which had
much in it, I at first thought, of an overdone cordiality --of the
constrained effort of the ennuye man of the world. A glance,
however, at his countenance, convinced me of his perfect sincerity. We
sat down; and for some moments, while he spoke not, I gazed upon him
with a feeling half of pity, half of awe. Surely, man had never before
so terribly altered, in so brief a period, as had Roderick Usher! It
was with difficulty that I could bring myself to admit the identity of
the wan being before me with the companion of my early boyhood. Yet
the character of his face had been at all times remarkable. A
cadaverousness of complexion; an eye large, liquid, and luminous
beyond comparison; lips somewhat thin and very pallid, but of a
surpassingly beautiful curve; a nose of a delicate Hebrew model, but
with a breadth of nostril unusual in similar formations; a finely
moulded chin, speaking, in its want of prominence, of a want of
moral energy; hair of a more than web-like softness and tenuity; these
features, with an inordinate expansion above the regions of the
temple, made up altogether a countenance not easily to be forgotten.


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