"See," said he, "no sorrowful books, only Aristophanes and Lucian,
Horace, Rabelais, Moliere, Voltaire's novels, 'Gil Blas,'
'Don Quixote,' Fielding, a play or two of Shakespeare, a volume or so
of Swift, Prior's Poems, and Sterne--that divine Sterne! And a Latin
Grammar and Virgil for you, little boy. First, eat some snails."
But this I would not. So he pulled out two three-legged stools, and
very soon I was trying to fix my wandering wits and decline _mensa_.
After this I came on every half-holiday for nearly a year. Of course
the tenant of the glass-house was a nine days' wonder in the town.
A crowd of boys and even many grown men and women would assemble and
stare into the glass-house while we worked; but Fortunio (he gave no
other name) seemed rather to like it than not. Only when some
wiseacres approached my parents with hints that my studies with a
ragged man who lived on snails and garden-stuff were uncommonly like
traffic with the devil, Fortunio, hearing the matter, walked over one
morning to our home and had an interview with my mother. I don't
know what was said; but I know that afterwards no resistance was made
to my visits to the glass-house.
They came to an end in the saddest and most natural way.
One September afternoon I sat construing to Fortunio out of the first
book of Virgil's "Aeneid"--so far was I advanced; and coming to the
passage--
"Tum breviter Dido, vultum demissa, profatur".
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