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Farrar, J. M.

"Mary Anderson"

At their
request he paid a visit of farewell to the spot, and sanctioned what was
proposed. Not long after, a handsomely carved chair was forwarded to him,
made from the wood of the "spreading chestnut tree," and which bore an
inscription commemorative of the circumstances under which it was given.
Few of his possessions were dearer to Longfellow than this dumb memento
how deeply his poetry had sunk into the national heart of his countrymen.
It stood in the chimney corner of his study, and till the day of his death
was always his favorite seat.
The verdict of Longfellow upon Mary Anderson is worth that of a legion of
newspaper critics, and his judgment of her Juliet deserves to be recorded
in letters of gold. The morning after her benefit, he said to her, "I have
been thinking of Juliet all night. _Last night you were Juliet!_"
At the Boston Theater occurred an accident which shows the marvelous
courage and power of endurance possessed by the young actress. In the play
of "Meg Merrilies," she had to appear suddenly in one scene at the top of
a cliff, some fifteen feet above the stage. To avoid the danger of falling
over, it was necessary to use a staff. Mary Anderson had managed to find
one of Cushman's, but the point having become smooth through use, she told
one of the people of the theater to put a small nail at the bottom.


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